DEFEATING THE LOGIC OF ISLAMIST TERRORISM Assignment

DEFEATING THE LOGIC OF ISLAMIST TERRORISM - Assignment Example The findings mentioned in the article actually highlights the overall weaknesses in the ideology of Islamic terrorist organizations and US can actually take efforts to help modern elements within Muslim countries to encourage such thinking. As discussed in the article, the overall battle is not only fought based upon the physical strength of the enemy but also upon the overall psychology, beliefs and ideas of the enemy too. US, due to its military and political power can subvert the governments however; the war on terror is relatively a different war. Islamic terrorist organizations are also making efforts to win it through ideas and raising general sentiments against West and US. Winning the battle of ideas therefore is of critical importance as it will not only allow US to reduce the number of supporters but can also help in future to actually allow more Modern Muslims to become the voice of Islamic world and not the

Four Essay Questions of Art History Example | Topics and Well Written Essays - 1750 words

Four Questions of Art History - Essay Example Some features that are used to identify Greek sculpture cannot apply sometimes due to difference in the sculptures. The ancient Greek sculpture has always been able to stand on without any support. Roman sculptures were created or curved in such a way that they cannot stand without a subjection of support or broad base to them. The two sculptures have shown distinct features such as possibility of broad base from the second sculpture that shows a crowd of people around a man on horseback. The 6 feet marble relief of standing man is a Greek sculpture, since the background of the sculpture looks like it has been made from bronze. Both the two sculptures are made from bronze and marble but the heights are different. Greeks used to make slightly taller curving than the Romans. The first statue is more idealistic and has an athletic figure than the sculpture of crowded men behind a man with the horseback. Greek artists concentrated more on their mythology in the creation of the statues, a nd unlike the Romans they gave more importance on athleticism making them produce idealistic statues. The second curving of crowded men behind a man on horseback looks more real, and it does not seem like one that believe in mythology. Only the Romans believed in creating sculptures that looked real and they didn’t believe in mythology. The Romans gave much importance to realism that made them create sculptures of real people. One bigger thing about the Romans is that they believe and cropped into history. The work of the artist from Romans has always described more of historical nature than the Greek’s artists. The second sculpture that shows crowded people around a man on horseback seems to be very ancient than the first sculpture. The background of the statue shows old but real creativity of old trees and the relation seems historical. The Romans became popular of their statue cravings due to their creative style on historical background. The first statue of a stand ing male is very plain and has no background that can describe a historical creativity or evolvement therefore it represents a work from Greek artists. Greek artist started by creating small sculptures but they evolved and created statues of mythological character, and as well they upgraded themselves as the creators of marble sculptures as well. The Greeks awhile evolving from making small sculptures to mythological once they created tall but not that much taller than the Romans structures, that is why you can suggest that the first sculpture is that of a Greek artist’s work rather than the Romans. Sometimes it is very hard to differentiate statue of the Romans from that of the Greek, it is because the Romans have tried to preserve the statue culture and tradition and as well they have followed closely the work of Greek artists. And due to time passing they developed statue of their own with a very unique style of creativity. If you look carefully at the second statue of cro wded men around a man on horseback is more unique and if you take a closer look you will realize that the background is very unique compared to the first sculpture of a standing man with a very plain background. Compared to other works with the lifelike statue of the classical era, a good Greek sculpture is rigid and stylized making it seems so obvious but distinctive from other work. Sculptures that are more culturally and traditionally linked are the Roman statues. But to some extend some of the Greek sculptures do show cultural affiliations just like the Roman

E-commerce A-level Coursework Example | Topics and Well Written Essays - 16250 words

E-commerce A-level - Coursework Example E-commerce comprises purchasing and selling goods and services in the WWW, and for many companies this is their regular business but extended into the online space, and therefore apart from buying and selling, important are the issuer of money transfers, security, and other aspects of online interaction between companies, customers, suppliers, retailers, middlemen, etc. All in all, in a broad sense, e-commerce denotes all kinds of commercial relations that are connected with setting home-based and international deals in the web: trade mission, factoring, designing, consulting, investment contracts, leasing, engineering, insurance, sale and purchase contracts, bank services, and many other forms of industrial and business cooperation. E-commerce allows to ensure that the businesses be ready to face the new challenges, one of the most important being business globalization. The emergence and development of the IT make it possible for the international businesses to reach out for their customers even in the remotest areas of the world. Conducting business in cyberspace is a way to save money, but surely that is not the only advantage. The rise of e-business has unquestionably changed shopping patterns, forcing retailers to redefine their roles to ensure their place in the market. The variety of goods available to customers at a click of a button and the added benefit of allowing them to shop whenever it's convenient for them, and not during set 'operating hours' has in effect placed the customers in charge. For the companies, the spread of e-commerce marked the necessity to implement into their business model constant interaction with the customers, which is a must for the firms that want to keep up with the consumers' demands, and attract and retail more loyal customers. The Internet is a genuinely new communicational environment, and therefore traditional marketing techniques cannot generally be applied to e-commerce. In the process of studying the marketing model that uses 'traditional' information media for PR, brand promotion and advertising, it was revealed that the use of e-commerce makes it possible for the customers to make decisions independently, and therefore there is a dramatic shift for the consumers from being a rather passive auditorium (as with the traditional marketing) to a powerful force able to influence the companies' activity significantly. Therefore, it is not sufficient for the companies to apply the already existing marketing principles to their e-commerce, as the new Internet environment presupposes the development of principally new approaches to sales, accounting, advertising, dealing with customers, and many other aspects of business activity. In e-commerce, customers play a much more active role in the process of marketing, as they are the bearers of information valuable for the companies. The overall aim of this research is to explore what 'forces' are at work when consumers shop online in the clothing retail. The research will be carried out in the women online clothing retail market, primarily because of the huge investment in the clothing market by both online and traditional retailers, (www.brandrepublic.com) It will comprise two principal elements, a literature search, and an analysis of four retailer websites, two of them are purely online

Red bull strategy Coursework Example | Topics and Well Written Essays - 500 words

Red bull strategy - Coursework Example On January 2035 the executive of Red bull is from a seminar and he reflects back 20years back on the pivotal meeting he had with the management ranks in 2014. In that strategic period of time, Red bull has drastically undergone robust growth strides and is the biggest energy drink producing and merchandising company. Reed bull is now selling its products in every province, of each nation around the globe. The combining ratio of the corporation has become the envy of each company in the retail sector. Profitability of the organization has been increasing every year in the past 20 years, and the company has as a result attained a war chest that has put it in a position to acquire other small companies. The operational, and distribution models of Red bull regionally and internationally are platforms for the exercise and sharing of best practice worldwide. The models have improved Red bull’s efficiency through the implementation of automation and centralization and at the same tim e have devolved decision making to the location level of Red bull internationally. The highly advanced quality of production and customer involvement in the product formulation continue offering Red bull distinguished competitive advantage over its rivals. The Chief executive is contented that the actions he took for creation of the future in 2014 have bore excellent results. Red bull is a regional company that has its focus on retail services. In the year 2014, Redbull’s business experienced challenge from retailers that had the capability of merchandising regionally. The competition was experienced on a combined proportion, which made it very difficult for Red bull, a regional merchandiser to withstand. Red bull is capable of offering special products that are custom made for various segments of its market share. However, the cost of providing the special products adversely affects Red bull’s combined ratio, causing Red bull to

An Australian Luxury Fashion Accessories Company Essay

An Australian Luxury Fashion Accessories Company - Essay Example The paper "An Australian Luxury Fashion Accessories Company" talks about Australian Fashion Accessories Company. The report starts by outlining the historical background of the company which will be followed by an analysis of the company’s micro and macro environments in a bit to establish the degree to which these have an impact on the operations of the organisation. The main body of the report will focus on a critical analysis of the marketing strategy used particularly the current marketing mix in order to evaluate the effectiveness of this strategy. The last part of the report will look at the recommendations section where suggestions are given in order to improve the marketing offering of the chosen product or brand. â€Å"OrotonGroup Limited is a retailer, wholesaler and brand manager operating in Australia and the principal activities of the Company include retailing and wholesaling of leather goods, fashion apparel and related accessories under the OROTON and POLO RAL PH LAUREN labels, and licensing of the OROTON brand name.† Details about the historical background of the company can be viewed from its official website. This organisation is wholly owned subsidiary that includes OrotonGroup (Australia) Pty Limited, Polo Ralph Lauren Australia Pty Limited, OrotonGroup (New Zealand) Pty Limited, Macbray Pty Ltd, Marcs Wholesale Pty Ltd and Oroton Share Plan Company Pty Limited. The company operates approximately 60 retail stores and is listed on the Australian stock exchange. Critical analysis of Oroton’s Micro Environment According to Kotler & Armstrong (2004), the micro environment is comprised of actors close to the company such as suppliers, marketing intermediaries as well competitors while the macro environment consists of demographic, economic, technological as well as cultural factors. The first section of this analysis of the microenvironment is mainly going to look at the company’s competitive environment, its financial s as well as the structure of the business. According to Ibisworld (2010), the major competitors in the luxury brands industry include Luis Vuitton Australia Pty Ltd and Proud Jewellers Pty Ltd. Competition in the market is always a threat to the other actors operating in the industry given that they will be competing for market share. Oroton does not operate in a vacuum since it can be seen that the luxury brands industry is a bit different from other conventional industries. The company’s financials show an upward trend since 2007 according to Au Stocks (2011). This can be attributed to the management strategy that was adopted after the company had witnessed a decline in the revenue generated owing to decline in business. This is a major strength for the company. The company embarked on a drive to cut costs through laying some of the workers while at the same time offering affordable luxury brands. Another important factor about Oroton’s micro environment is that its structure is a typical brick and mortar model. This model mainly relies on linking the organisation directly to the customers through personal interaction but it can be noted that the organisation has also adopted e-commerce in its marketing strategy. However, a critical analysis of the factors characterising the micro economic environment of this organisation shows that the company is better positioned to operate viably in the market given that these factors do not pose serious challenges to it. The other advantage of this

Personally I have sympathy Essay Example for Free

Personally I have sympathy Essay He also states I had deprived myself of rest and health, meaning that he had worked so hard and long it had effected his health. When Victor looks for the monster on the frozen ocean he still tries to gain sympathy using language such as despair and I myself was about to sink under accumulation of distress. Here he is speaking metaphorically; hes talking about sinking in the sea, as well as sinking emotionally. With so much talk of self pity, the reader could easily forget that this journey is one of vengeance. Victor sees the monster as his enemy and says his soul is as hellish as his form, full of treachery, and fiend like malice. He also tells Walton to thrust your sword into his heart, I will hover near, and direct the steel alright. His hate for the monster is so intense; he thinks that he can help in killing the monster, even in supernatural life. Even though Victor is seen as an arrogant, self righteous character, we have sympathy for him because he starts a series of events that he eventually has no control over. He creates a monster that kills his family and feels compelled to seek him out and end his life. His desire is burning within my heart, and he is powerless not to obey it. Whereas Victors downfall could be seen as of his own making, the creature seems to be a victim of circumstance and outside influences. The creature says, The completion of my demoniacal design became an insatiable passion. He considers himself to have no control over his actions as they are a result of how he was made. He also claims I had no choice but to adapt my nature to an element which I had willingly chosen, and that evil thenceforth became my good. The monster is looking for understanding for his terrible actions when he says I was the slave, not the master. He is trying to portray himself as a victim rather than the villain. In this passage the creature speaks descriptively to try and make the reader feel sympathy. He says that in the beginning it was the love of virtue, he feelings of happiness and affection with which my whole being overflowed. This turned into bitter loathing and despair and it speaks of how its crimes had degraded itself. It compares itself to a fallen angel who becomes a malignant devil. It considers itself to be more sinned against than the sinner when it says all humankind sinned against me. The feeling of self pity continues with I desired love and fellowship and I was still spurned and your abhorrence cannot equal that with which I regard myself. It feels totally injustice towards itself with everyone despising it and having sympathy only for Victor. This would make the reader feel very sympathetic towards the monster he has only turned out to be the despised and hated creature that he now is due to the actions of others. Both characters make convincing cases in an attempt to gain sympathy from the reader. Both are sinned against, (Victor has his family killed by his own creation and his creation itself is abandoned and despised) and it is a matter of opinion who the victim actually is. The reasons behind Victor deciding to create life in the first place could be seen as an important factor. Was he trying to be the first person to create life in this way to satisfy his ego or was he doing it for the good of human kind? Personally I have sympathy for both Victor and the monster. But if I had to choose one it would be the monster, because it was born an adult and never got chance to learn right from wrong and it had no parents to teach it anything nor no friends. Show preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE Mary Shelley section.

Generic Conventions of Documentary

Generic Conventions of Documentary The Purpose of this Essay is to explore the Generic Conventions of Documentary and Documentary photography, comparing the two and to explore how street photography has evolved since its introduction in the late 19th century. This essays primary purpose is to Examine How Street Photography came about and how it has changed since it was revolutionised in the early 20th Century, then it will explore and compare two photographers who forever changed the way that street photography is perceived, The secondary purpose of this essay will be to debate the question, unlike documentary photography, which sets out to record historical events and everyday life, does street photography need a subject in the image in particular with Eugene Atget, who went around photographing various street corners and shops in Paris without a person in the photo. First of all, one must ask the question, exactly what is a photograph? In The Photograph, Graham Clarke Describes the word Photograph as Light Writing, he goes on to say that it also speaks as an underlying concern to control light and time and that the photograph not only signals a different relationship to and over nature, it speaks very much to a sense of power in a way that we seek to construct the world around us Clarke, (1997, P11). In most photographs its left up to the viewer on how they read and perceive a photograph, Graham Clark continues by saying The photograph has a multiple existence which informs its multiple meanings, its seeming simplicity of form and function belies an implicit problematic of sight and representation Clarke, (1997, P11) What Clarke is suggesting to the viewer is that photographs have multiple layers of text conveyed within one image, Clarke wants the viewer to look closer and determine what the photograph means to each person individually and why its being represented in this way In relation to street photography this is the main question to be explored in the second part of this essay. So how does one read a photograph? A picture is worth a thousand words, but how does one interpret them? Every time the viewer sees an image he or she has their own personal view of that image so it falls to the photographer or artist to put their own messages/meanings behind their images and leave the interpretation open to the viewer, Photographic Art Generally falls into four main types of photographic genres, Landscape, Portraiture, Fine Art, and Documentary, each picture in each genre gives off a different emotional response In Particular Eugene Atget and Cartier Bressons Photographic styles would fall into the Landscape Documentary categories. So lets look at what these two categories are, in photography; The Key Concepts, David Bate describes documentary photography as Telling a story with pictures, Documentary photography gave new life and social function, Documentary aimed to show in an informal way the everyday lives of ordinary people, to other ordinary people -ÂÂ   Bate, (2009, P45). This emerged as popular practise following the First World War, and began to develop through the 20th century, after the horrors of the First World War, more and more photographers went out and photographed everyday events happening to normal everyday people out in the streets, this social documentary work went on to dominate the early 20th century with people undertaking projects based on the after effects on war and how it changed the lives of everyday peoples lives forever, One such example would be the 1972 accidental napalm attack in the Vietnamese war, one of the most reproduced images of that time, Robert Haeberles People abo ut to be shot which Clarke describes as An anonymous war machine raining down napalm accidentally on innocent children but such a narrative cannot deflect us from the presence of intense agony Clarke (1997, P160) By looking at this photo the reader is invited to feel all the emotions these children went through, screams, cries and sorrow, but the photographer is trying to invite the reader to understand that although we can see visually how horrible the events were, that theres nothing more horrible than what the innocent subjects were going through, The Photographer Robert Haeberles statement himself guys were about to shoot these people I yelled hold it and shot my pictures, M16s opened up and from the corner of my eye I saw bodies falling but I did not turn to look Rovert Haeberle Clarke, (1997, P160). Next theres Landscape Photography, there are many different narratives that landscape photography could fall in to, but the main thing to think about with street photography in landscapes is what is the photographer attempting to show the reader in a landscape picture? Is it just the environment, the place, or is it perhaps a landscape being dominated by the presence of humans in the photograph, In David Bates Photography, the key concepts, Bate goes on to say what this means is that whatever is seen is always coded via the picture. Therefore HOW the material is seen in the picture, the way it is pictured, is as critical as what is shown Bate, (2009, P90) the photographer is encouraging the reader to think of the bigger picture of what the landscape photograph represents, Roger Fenton, one of the early Pioneers in photography was one of the first to make the reader question and think about what they were viewing, his approach was to places that had been established as tourist areas, places that people already had a view on, places of great beauty and social harmony In his approach to landscape Fenton both reflects a highly specific cultural vocabulary based on literature and painting, this sense of the photographer as privileged tourist is underscored by the way Fenton often photographed tourist areas which had already been depicted in painting and literature his images reflect the leisurely assumptions of a class of people who looked upon landscape scenery in aesthetic and philosophical terms (Clarke, 1997, P56). The photograph often gives off a hint of a unified Britain, but Fenton, a war photographer, is trying the challenge the readers views and make you see the bigger picture, look beyond the picture and think of problems that may have been going on around that area at the time. This brings the essay on to Part two, firstly unlike Documentary Photography, does Street Photography need a person in the photo? As mentioned earlier in the essay this is left very open to the viewer to make their mind up, Eugene Atget didnt think it did, Eugene Atget was one of the main pioneers in 20th century street photography, and most of his work was done on the streets of Paris, his photos that do have people are very surreal, questioning our perception of what is dream and what is reality, looking at one of Atgets pieces of work, A Corner, rue de seine, As quoted by Clive Scott in Street Photography, From Atget to Cartier Bresson Perhaps the most celebrated photograph of this street is the one that Atget took on an early May morning in 1924, a photo of a wedge shaped building at the corner of the rue de seine, The oblique view shown here emphasizes the rapid foreshadowing created by the wide angle lens, the distortion produced by the lens also gives the building a marked pre cariousness, is this tilting to the right a consequence of intoxication or old age? The building has open eyes, only on the third and fourth floors at the near end, everywhere else in the building is sealed in somnolence or death -(Scott, 2007, P178/P180) The Photograph is a very surreal image which is challenging the reader to try decode its many layers, The viewer sees it as an image with a lot of gothic potential, the mist adds to this effect, and the building is shown to be in disrepair, so although the image is shown without subjects, theres a much deeper hidden meaning, a very dark and dreary meaning that could perhaps signal a change in cultures, the building is old, very pre-World War One, perhaps this image also trying to indicate a struggle to adapt to the new world after war, also although most of the text in image is left blurred or too small to read, we can clearly read the words petit bouif which is actually a shoe repair shop, which Atget is also well known for photog raphing,ÂÂ   we also see the pictures of what we assume are lost family pets, again we can relate this back to the time, 6 years after the world war ended what exactly has Paris become. Moving on to Cartier Bresson,ÂÂ   much of his work is not actually considered documentary photographer, he was a revolutionary photographer who couldnt really be placed into any single genre, he did almost every type of photography you could do, but although he wasnt a documentary photographer, one of his most well-known images that Im going to look at is, the photo was taken outside the train station saint lazar, although colour camera did not exist at this time Bresson noticed the rain in the foreground, and the beautiful mist like feature blocking the houses in the background, and by chance he saw a man jumping over the picture which he then snapped on his black and white camera, we can see from the picture that the man was caught in mid motion, the blur that has appeared from the mans speed but also the contrast makes the picture stand out more, so we have to ask the question, had the man not been there jumping over the ladder when Bresson snapped him, would this have becom e arguably Bressons most well-known photograph? Although there is still a lot going on in the picture, such as the ladder and rubble in front of it, the railowsky sign clearly visible in the midground, and even the other person visible near the background, at least in this case although Bresson may not have been a documentary photographer, this picture is a documentary photograph Reference List: Scott, Clive. Street Photography. London: I.B. Tauris, 2007. Print. Bate, D. (2009). Photography. Oxford: Berg. Clarke, G. (1997). The photograph. Oxford: Oxford University Press.